A Journal of the Plague Year 3.0 Week 3

27th December 2020

So did a spot of shopping to get out the house, picking up most of Tesco’s reduced section (surprisingly not a lot of ex-Xmas stuff) then stopping off at a Somali place to get take out. As with many African joints there’s no menu, you kinda negotiate with the cook what you wanna -I settled on some spiced rice and lamb shoulder, reminding me a lot of biryani but with Arabian spices and a salad. Plus some lemony-yoghurty-chilli dip which was super spicy and amazing.

So good, huge portions too (which I’m thinking may be a sign of quality, insofar that the cook genuinely believes it deserves that demand, and that people always finished their plates) -I need to do it again. In terms of Somali cuisine I’ve only ever had the gorgeous looking xalwa (halva) before, which is a jelly-like mix of sugar, cornstarch and spices, and astringently sweet. You literally feel the buttery goodness clamping onto your frame as you move, becoming that same wobbly blancmange. This the posterchild for You Are What You Eat.

I realise their fare is more redolent of the Middle East than East Africa, though it does have a heavy influence from Ethiopia too, in its injera and stews, not to mention Indian (chai, chapattis, samosas), Persian (pilaf, baklava), and even Italian (pasta, coffee and cream). The restaurant is Safari on Falcon Rd -when I signed the book for track and trace (at 3pm) only one other customer had made it that day; Somali food deserves a higher profile and I hope she survives.

After my favourite past-time – a TV dinner, was out like a light in a glorious food coma, before D came round from the other side of Clapham. Well, someone’s gotta finish off all that Crimbo alcohol, and be merry and light. Made it through half a bottle of sloe gin, while D settled for his usual vodka + flavoured water (he can’t do fizzy stuff due to some dodgy ailment). All necked while we watched a steady stream of MVs -Eighties, Nineties, Noughties with occasional forays into Abba and what on earth is number 1 these days. We couldn’t think of a single chart topper that we knew this year, or the past 3 years, even if it was the million $ question on Who Wants To Be A Millionaire?

Anyone noticed how Miley Cyrus nowabouts (or at least in Midnight Sky) looks and sounds like Lulu?

My one ban was on the nefarious coven that is the Spice Girls, as D plays them every damn time until they become that dimwit zigazigah nipping at your earlobes, telling us what they want what they weally weally want. He settled on substituting them with the Coors, who apparently all died in a horrific bicycle smash (three four seater) in Belgium in 2002. A actually wanted another stab at the board game Dixit blessim (who knew someone actually likes it -apparently it won game of the year back in 1994) -while D is fucking terrible at playing and has as much fun as a pedo in an old folk’s home. Give him the random phrase of say, ‘I’m not in Kansas anymore‘, or ‘AI takeover‘ and he’ll not really know what to do, and match it to a card of an elephant holding a flower, or someone playing tennis with a cat. Still, he won.

We finished off on Disney sing-a-longs, pissed as newts by then and sounding like them too. Beauty and the Beast, Aladdin, Little Mermaid, Pocahontas, Moana and -I hang my head in shame -belting it out with Elsa on that fucking hill to die on, while she crafts homicidal chandeliers. My nemesis. Might just jump out the window in the cold light of day.

Not many people know this but Let It Go was written for a schizophrenic who went on to kill several people and a cat in a New Jersey (and why Demi Levato was first choice).

So what on earth do the kids these days listen to? What is the equivalent of the Spice Girls or Backstreet Boyz or Madonna? Kool n the Gang? What exactly is imprinting on young febrile minds as we speak, that will last till their dying day?

So after doing a spot of research, of course we’d heard of Billie Eilish, Dua Lipa, Ariana Grande, Drake, Taylor Swift, though pushing it a bit with The Weeknd, BTS, Blackpink, Halsey blah-de-blah. But who on earth are Bad Bunny, Juice WRLD, Roddy Rich, Lil Uzi Vert? Garnering hundreds of millions of fans across the world and getting themselves plastered over the cover of Rolling Stone at the age of fifteen. There’s a lot of flow, a bitta drill and quite the sideline in Latin rappers with Caribbean tinge, who dare I say, it sound a bit same-y. There’s a thing now: an understated backbeat, crazy styling and self-penned lyrics over vocal talent (‘lyrical lemonade’), which is fab. I wonder if the rappers of early 80’s Compton ever realised that near 40 years later the kids of White America, the kids of the world, and the global music industry would be following their suit.

Frankly it’s gone on far too long that only people with good vocal range and who look great doing it are allowed into the halls of fame, while the rest of the talent become songwriters for other people or give up and spend the rest of their days serving fast food and living out their car. As Lizzo -classical flutist, competition winning free-style rapper, gospel vocalist and icon to body diversity even before she was famous, came one week from doing. Hmm maybe Lizzo isn’t such a good example, she can do just about any fucking thing par excellence, while riding a bike (unlike the Coors, RIP 😦 ).

So quite refreshing that talent scouts now have a new recipe to look out for, but so very new to us after decades of the ol’ tried and tested -that a teenager who druggedly whispers her songs is currently the world’s bestselling artist. And the hook now lies in a certain choice line or two that rides a flow to your brain rather than some ohrwurm that will haunt your days. We’re just not kool anymore.

In my mind’s eye I’ve just turned up at the back of the bus, through a haze of weed, to nestle myself among the teenagers, head nodding, shades down, braids up. But then… my walkman falls out, the cord detaches and Lulu and Take That blare out without my noticing. Oh, the abject shaaaame, don’t you no blame.

No film for us -it was originally intended to be movie nite, but it became much more enjoyable without. Near the end we were smoking in the living room, blitzing a Quality Street and painkillers, and rocking to a heady mix of Guns n Roses with Adele, in a chilled way, in a good way. Kool n the Gang again -just to Someone Like You crooning it out across the airwaves. We’re showing our age methinks but duuude, what can you do?

D finally got an Uber at 2 or 3 something, disappearing into the night. Which was one of them better ones. Good goobley god, it’s nearly New Year’s.

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