Thursday 26th March 2020
A few minutes ago they started yelling. I thought it was a party, the clapping alongside, and when I went to the window another woman in the old folk’s home opposite was doing the same. We ignored each other (thank God).
The shouting rose, and rose, till I was running to the kitchen for a better view from the tower block. By then it had risen to crescendo with an army of car horns you could hear reverberating across the city; every window in the block opposite had people doing the same, all 24 floors of them standing in silhouette, backlit, most of them alone.
I found out from J it had been organised on social media which I’ve avoided for days now -that at 8pm tonight there would be applause for the frontline workers, the essential services from healthcare to police, soldiers to postmen. It was quite the sight, especially knowing it was nationwide too. We watched in wonder.
This was of course started in Wuhan where the first lockdown was, from sporadic yells of people trapped indoors for so long, that evolved into balcony bellowing and cheering, encouraging others to keep going. In Italy the same, cheering for emergency vehicles and police vans. It’s times like this we learn the power of community, and the value of spirit in trials of hardship. The NHS has now filled its 450,000 volunteer positions within less than a day.
Italy is hard come by, it’s toll climbed again, bucking the trend of a decline seen in the last 3 days, with over 700 succumbing last night. Rumours are Italy is not just handicapped by the older populace, but the strain is more virulent. News too, that the US will likely overtake both Italy in China within the next 24 hrs, and will become the new global epicentre for the pandemic.
Today I applied for Tesco jobs, inspired by a colleague now out of work and asking for a reference. I’m only applying for branches that will be reachable, with minimal commuting and thus exposure -it helps that I live next to the world’s busiest train station, so my radius is quite encompassing. There were literally 8 pages of positions for the company alone, all asking for immediate work on a temporary basis.
I’ve made some noises in the way of volunteering, though A says the NHS needs noone any more, and my working is volunteering enough to support my dependents. I’ve offered by CV building and job application services to some of my colleagues who don’t have as good English skills, my first foray into putting my money where my mouthpiece is, rather than endlessly writing about community spirit while popping out to forage, avoiding all contact and coming back with having done anything but purchase goods.
The streets were sunny, and mostly quiet, though occasionally a bottleneck of a whole 7 people would clog up certain crossroads and shop awnings. I posted off my collection of masks to The Fam (they’d run out entirely of envelopes so had to bop over to the last open corner store), then it was the trundle through Lidl, which had restocked itself post-panic buying. Though of course bogroll and cleaning products were still mythical. Paracetamol was found, like El Dorado in a ray of light.
A has spent a good few hours on the phone trying to get through to BA (who had charged him twice for a fictional flight), and the jobcentre, neither of which were ultimately reachable. We’ll try again tomorrow. Apparently they’ve been inundated with hundreds of thousands of calls, the latter likely in the millions, so cannot even accept new ones. It’s all left to a Tweet to do the talking, and like everything, everything money related, has occupied a worrisome purgatory of loss.
Yesterday’s film was The Lighthouse, starring that good looking Cedric-from-Happy-Plopper-and-Paul-Daniel’s-Wife-Debbie-McEgg. Him. Plus the vampiric looking Willem Defoe, now haggard in a strikingly accurate 19th Century rendition of a grizzly Newfoundland seadog (they have a similar accent to the Irish), salt o the shanty-shaking blarney sea. An aria in solitude and madness, and how very close to home. The relationship between salty sea master and monosyllabic hired lugger lurches between hate and love, sometimes within seconds, as they increasingly deteriorate into alcoholism and entertaining past demons through their solitude, sometimes to memories of murder, or visions of mermaids and sea monsters (tentacles and all). Heads in lobster baskets, dripping jizz, that kinda thing. All very black and white, shot on a 5:4 format redolent of silent films, for which a great deal of this brooding study is.
A lonely island (a rocky New England shore), a haunted past and present, a backbreaking, mindbreaking roster, littered with secrets and intrigue, notably the semi-mythical light in the house itself, like a glowing gemstone. It doesn’t end well. Perhaps neither for us.
The performances of these actors are astounding, studded with rambling monologues that become increasingly poetic, ad hoc craziness and a certain sexual tension. I was glued to it. I wouldn’t call it enjoyable, but is one to savour, rather like a storm. Bat down the hatches; the city is once again, unearthly silent at 8:55pm.
Today’s offering was Gemini Man, starring Will Smith and Will Smith as himself, clone wise, and thirty years younger. From the start, the predictable hi-jinxing of hi-fiving US spies acceptably murdering foreign subjects, (the typical Hollywood East Europeans, casually evil -you can just tell as they sit in awkward, unshaven dourness on intercity train journeys) and the usual ludicrous examples of American heroism (pinpointing a single passenger on a packed HSR from a couple of miles away, dodging hundreds of bullets hippo-sprayed by trained marksmen). Oh and a British villain, of the craggy fifty-something suit and tie variety. Plus one of the spies is female, brilliant and beautiful (ssshhhooocker!) erm and at uni, where she’s studying Marine Biology, like most American students do. Will Smith Jnr is sometimes quite accurate, other times a cringey CGI mould, gurning over a plasticised trajectory, as are the fightscenes, the kind where they speed things up a little too much and it looks like Tekken. Oh Ang Lee, master of suggestion and cinematography, where did it go wrong? I mean Hulk shoulda been a lesson.
But hey, worth the respite. Nothing like a bitta mindlessness and killing to get you not thinking about the mindlessness and killing. Dinner has deteriorated – cold rice, soya sauce + sesame oil, and hammy garlic sausage slices. Took a whole 40 seconds to prepare, and about the same time to consume in front of the box, eating and watching baloney. Must try harder.
I don’t know what isolation does to people, but the message is clear from Hollywood so far, put any two people together and they will compete, and make life Sartreanly hellish for each other. I do wonder if there will ever be a film without the struggle, about say two people being plonked on an island and just getting along. No giant apes, no sharks, no killing piggy. No bloody social stereotyping. The Netflix reality series, ‘Terrace House‘ does just that, whereby they get a bunch of Tokyoites from disparate backgrounds into a household, who aren’t lugged with pressing personality disorders or diametrically opposing political views, who aren’t say a lion pride holed up with some sassy zebras. And hey presto! They chat, show their fears, their heart, and fall in love at their own pace. Not Love Island, not Big Brother (of whom the German and Brazilian editions only found out about the pandemic a few days ago).
If I wrote a book where Once Upon a Time They Lived Happily Ever After would anyone even pick it up, let alone actually enjoy it? If there was no global crisis, would I even be writing?