A Journal of the Plague Year Day 96

Tuesday 23rd June 2020

Was trapped watching Sense8 on Netflix by J; the show a product of the Wachowski Sisters, the gothy minds behind The Matrix trilogy. This time round it appears the siblings have been given carte blanche and the equivalent of a bottomless credit card in terms of creative license, that worked so well back in the day, to the tune of $1.6 billion in takings for their franchise. So the premise this time is a bunch of strangers across the globe who are able to telepathically connect -they feel, talk to and see each other in real time -while stalked by a hellbent organisation trying to kill em off.

The Wachowskis are a pretty left wing, inclusive bunch, having themselves transitioned in gender and being staunch advocates of LGBTQIA rights and free lovin’, which inhabits this storyline with gay and transgender characters throughout. They also bring together disparate personalities representing multiple forgotten countries outside the North American bubble -Kenya, India, South Korea, Iceland, Germany, Mexico. Well so far, so diverse.

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However, look closer and it starts to jar, notably the storylines. The Indian woman is of course caught in an arranged marriage, and battling local corruption, with a sideline in her family curry restaurant. The Kenyan man lives in a vast slum of local corruption, gang crime and HIV infection -killers at every corner. The South Korean woman is a martial arts master with a Masters in Economics, sacrificing all for family honour (wrongly imprisoned, battling -you guessed it -local corruption plus honour-bound chauvinism, to the extent her family lets her take the fall and her brother’s trying to kill her). The Mexican guy -a telenovella star (perhaps the closest the Wachowskis got to a Mexican experience) is in the closet, battling machismo stereotype, the church, wifebeating, blackmail and the vapidness of fame.

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It can be tough sell for those non-White or non-Western, try as you might. At first I made myself believe this was a wonderful cherry-picking take on every major social problem in each territory; that the Wachowski’s had done their research and were consciously raising awareness. But by the second episode it was pretty obvious they’d done quick Google searches or just put down a veneer of what’d rubbed off some passing media trope. To make it more obvious if a Black American character was up for the stand, and his raison d’etre was ghetto gangs, police brutality, drugs and trying to win back his disowned son, while aiming to be the new rap/ hoop star of the ages, it’d be cringe level 10, especially coming from the usual rich, White penmanship.

In contrast the White characters are multi-layered, do not perform to stereotype, and do not have long, lingering sidelines in their tale to prove they’re more than just a number. Laugh for hours as you discover the Korean woman likes beans on toast, or the Kenyan guy drives a homemade bus in ode of Jean-Claude Van Damme! By comparison the Icelandic woman is a DJ and living in London (not a Viking helmet or geyser in sight), the German guy’s a safecracker for organised crime (not what you’d equate with Germania), while the Americans are safely disparate as bloggers and policemen and hackers and ecologists.

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The script is derisory to say the least, although the valiant acting helps to blunt the edges, despite dooming their careers. The long, lingering shots of nookie at every turn is another seller, albeit it becomes quite an obsession. At several points throughout any given episode the characters will down tools (maybe take up new ones) to have a transcontinental fumble, often swapping bedpartners or becoming embroiled in one big orgiastic flexihump, that makes one reckon it’s wish fulfilment on the directors’ behalf (remember the weird, fluid-spraying rave in Matrix?). I see these characters -at every opportunity away from the henchmen -prowling the alleys, peeking through windows, looking for jizz.

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One character, the fellow actress/beard/fag hag/PR/PA/agent/secretary/housemaid/manager/fan vetter/letter opener/rooftiler of the Mexican couple is so laughably, vicariously infatuated with her housemates, and devoid of any life of her own she openly friggs herself off from the corner of the bed as they get manmansex-time. This seems to mirror the veritable well of navel gazing stupor the Wachowskis may be immersed in, in how blinkered they are to anyone’s experience other than their own. When Nomi (Know Me) makes the Maid of Honour speech at her sisters already compromised wedding, she hijacks the entire loveletter to make a diatribe on her transrights. One feels like yelling at her, Nomi it’s not all about you, all of the time.

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But then again, am I not wallowing in the selfsame mire? Were I long-suffering of trans abuse would this not be a revelation of a series, and a breath of fresh air for an ignorant world? While overlooking the corny national stereotypes, suddenly unimportant or forgivable. Would I be publicly standing up and voicing this diatribe to override their struggle?

ANYHOO, enough bitching. The world is stupid and so am I. Back to life.

Went out for a breath of fresh air and a touch back to reality, the real version not the utterly, ludicrously fantastical. Life sometimes is too much lived vicariously or not at all, even if it is to brandish fists at the skies.

The sun was high today, the weather cool and the fields a riot of wildflowers, even for urban, unkempt commons. And leaving it all behind.

To end the day:

btybtybtybty

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A Journal of the Plague Year Day 9

Thursday 26th March 2020

A few minutes ago they started yelling. I thought it was a party, the clapping alongside, and when I went to the window another woman in the old folk’s home opposite was doing the same. We ignored each other (thank God).

The shouting rose, and rose, till I was running to the kitchen for a better view from the tower block. By then it had risen to crescendo with an army of car horns you could hear reverberating across the city; every window in the block opposite had people doing the same, all 24 floors of them standing in silhouette, backlit, most of them alone.

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I found out from J it had been organised on social media which I’ve avoided for days -that at 8pm tonight there would be applause for the frontline workers, the essential services from healthcare to police, soldiers to postmen. It was quite the sight, especially knowing it was nationwide too. We watched in wonder.

This was started in Wuhan where the first lockdown was, from sporadic yells of people trapped indoors for so long, that evolved into balcony bellowing and cheering, encouraging others to keep going. In Italy the same, cheering for emergency vehicles and police vans. It’s times like this we learn the power of community, and the value of spirit in trials of hardship. The NHS has now filled its 450,000 volunteer positions within less than a day.

Italy is hard come by, it’s toll climbed again, bucking the trend of a decline seen in the last 3 days, with over 700 succumbing last night. Rumours are Italy is not just handicapped by the older populace, but the strain is more virulent. News too, that the US will likely overtake both Italy in China within the next 24 hrs, and will become the new global epicentre for the pandemic.

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Today I applied for Tesco jobs, inspired by a colleague now out of work and asking for a reference. I’m only applying for branches that will be reachable, with minimal commuting and thus exposure -it helps that I live next to such a busy station, so my radius is quite a catchment. There were literally 8 pages of positions for the company alone, all asking for immediate work on a temporary basis.

I’ve made some noises in the way of volunteering, though A says the NHS needs no one any more, and my working is volunteering enough to support my dependents. I’ve offered by CV building and job application services to some of my colleagues who don’t have as good English skills, my first foray into putting my money where my mouthpiece is. As opposed to endlessly writing about community spirit while popping out to forage, avoiding all contact and coming back with having done anything but purchase goods.

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The streets were sunny, spotless and mostly quiet, though occasionally a bottleneck of a whole 7 people would clog up certain crossroads and shop awnings. I posted off my collection of masks to The Fam (they’d run out entirely of envelopes so had to bop over to the last corner store), then it was the trundle through Lidl, which had restocked itself post-panic buying. Though of course bogroll and cleaning products is still mythical. Paracetamol was found, in a heavenly ray of light.

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A has spent a good few hours on the phone trying to get through to BA (who had charged him twice for a fictional flight), and the jobcentre, neither of which were ultimately reachable. We’ll try again tomorrow. Apparently they’ve been inundated with hundreds of thousands of calls, the latter likely in the millions, so cannot even accept new ones. It’s all left to a Tweet to do the talking, and like everything money related, has occupied a worrisome purgatory of loss.

Yesterday’s film was The Lighthouse, starring that good looking Cedric-from-Harry-Potter. Plus the vampiric looking Willem Defoe, now haggard in a strikingly accurate rendition of a grizzly Newfoundland seadog (they have a similar accent to the Irish), salt o the shanty-shaking blarney sea. An aria in solitude and madness, and how very close to home. The relationship between salty sea master and monosyllabic lug lurches between hate and love, sometimes within seconds, as they increasingly deteriorate into alcoholism. Entertaining past demons through their solitude, sometimes to memories of murder, or visions of mermaids and sea monsters (tentacles and all). Heads in lobster baskets, dripping jizz, that kinda thing. All very black and white, shot on a 5:4 format redolent of silent films, for which a great deal of this brooding study is.

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A lonely island (a rocky New England shore), a haunted past and present, a backbreaking, mindbreaking roster, littered with secrets and intrigue, notably the semi-mythical light in the house itself, like a glowing gemstone. It doesn’t end well. Perhaps neither for us.

The performances of these actors are astounding, studded with rambling monologues that become increasingly poetic, ad hoc craziness and a certain sexual tension. I was glued to it. I wouldn’t call it enjoyable, but is one to savour, rather like a storm. Bat down the hatches; the city is once again, unearthly silent at 8:55pm.

Today’s offering was Gemini Man, starring Will Smith and Will Smith as himself, clone wise, and thirty years younger. From the start, the predictable hi-jinx of hi-fiving US spies acceptably murdering foreign subjects, notably the typical Hollywood East Europeans, casually evil (you can just tell as they sit in awkward, unshaven dourness on intercity train journeys). Then the usual ludicrous examples of American heroism: pinpointing a single passenger on a packed HSR from a couple of miles away, dodging hundreds of bullets hippo-sprayed by trained marksmen.

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Oh and a British villain, of the craggy fifty-something suit and tie variety. Plus one of the spies is female, brilliant and beautiful (ssshhhooocker!) erm and at uni, where she’s studying Marine Biology, like most American students do and that hints at a lovey-dovey, swimming-with-dolphins-while-partially-dressed sprituality as well as sciencey, cerebral prowess. If I was an Orange County gal wanting a few million more hits on social media but also indicate I’m more than a candle-lit face, I’d lay out my paperwork next to stroking a dolphin.

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Will Smith Jnr is sometimes quite accurate, other times a cringey CGI mould, gurning over a plasticised trajectory, as are the fightscenes, the kind where they speed things up a little too much and it looks like Tekken. Oh Ang Lee, master of suggestion and cinematography, where did it go wrong? I mean Hulk shoulda been a lesson.

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But hey, worth the respite. Nothing like a bitta mindlessness and killing to get you not thinking about the mindlessness and killing. Dinner has deteriorated – cold rice, soya sauce + sesame oil, and hammy sausage slices. Took a whole 40 seconds to prepare, and about the same time to consume in front of the box, eating and watching baloney. Must try harder.

I don’t know what isolation does to people, but the message is clear from Hollywood so far, put any two people together and they will compete, and make life Sartreanly hellish for each other. I do wonder if there will ever be a film without the struggle, about say two people being plonked on an island and just getting along. No giant apes, no sharks, no killing piggy. No bloody social stereotyping. The Netflix reality series, ‘Terrace House‘ does just that, whereby they get a bunch of Tokyoites from disparate backgrounds into a household, who aren’t lamped with pressing personality disorders or opposing political views, who aren’t say a lion pride holed up with sassy zebras. And hey presto! They chat, show their fears, their heart, and fall in love at their own pace. Not Love Island, not Big Brother (of whom the German and Brazilian editions only found out about the pandemic a few days ago).

If I wrote a book where Once Upon a Time They Lived Happily Ever After would anyone even pick it up, let alone enjoy it? If there was no global crisis, would I even be writing, or you good friend, reading?

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