A Journal of the Plague Year Day 99

Friday 26th June 2020

Another mindnumbed existence by day, stuck in slug mode and attached to the bed, occasionally the sofa that is now a mere extension of my being and body. I may give it a name, such as Harriet.

From Harriet’s soft, nuzzling perch got seriously into Rick and Morty, the shenanigans of an anxiety prone teenager and his sociopath grandpa, whose dimension swapping inventions create some very darkly funny questions on life, on people, culture and family. Oh and daddy issues and death and murder, often genocidal. And the fact they unconditionally love someone that cares naught for them, even as the family breaks up trying to limit the damage wrought each day -quite the insight on what our society values, or claims to. Guilty fun.

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It’s produced by a genius studio called Adult Swim, which for ages I knew was not a porn company, but was something or other on the dark web possibly. So surreal are these planets they conceive I’m sure our current state would surely qualify as some bizarre dimension, wrought with protest, pandemic, partisanship and a police state, lorded over by a Great Orange Dolphin intent on world domineering.

Was invited out by J to sit with a friend outside on the lawn, a welcome break from the lurid graphics and gunshots, but rudely declined, thinking they were off to a headachey, urban walk in the sun (31C). Fell asleep but then suddenly revived by painkillers went out in the end, to D and Al’s house. Caught the bus then remembered the facemask rule on all public transport, fumbling about in the bag to find one at the last minute, left there about a month ago. I would’ve been apoplectic with rage otherwise, no different to any militant anti-vaxxer causing a scene with the bus driver (pressing against the screen, waving invisible rights and pitchforks). Tried not to touch anything but was impossible lurching to the top deck and seating myself equidistant between the people, a row each to themselves. The bus capacity has now dropped from 128 to 20.

Ah, the nostalgia

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At the boys’, on screen they were playing Dalston Superstore’s Pub quiz, streaming live but which was a tad boring and more your average school lesson these days -other than a section on LGBTQIA history. This was all about whether you could discern between Polari/ Romani slang and Pokemon characters. Our host appeared very serious about it all, even missing a beat from contestant Helen, who was participating while driving then strangely disappeared. Polari is an Italianate language that borrowed extensively from the minorities in London during the 19th and early 20th Century, used to disguise the bitching among queers, prostitutes, hustlers, performers, actors, dancers, and circus troupes. It’s where we get our current slang for camp, butch, blag, bitch, barney, bijoux, clobber, dish, dolly, khazi, manky, mincing, mollycoddling, ogle, scarper, slap, trade, rough trade, troll, and my fave: fantabulosa.

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I will however endeavour to bring back meshigener -crazy nutter, corybungus -arse, and vogueress -female smoker.

More, if you’re really that bothered:

acdc, bibi -bisexual
ajax -nearby (shortened form of “adjacent to”)
alamo! -they’re attractive! (via acronym “LMO” meaning “Lick Me Out!)
aunt nell -listen!
aunt nells -ears
aunt nelly fakes -earrings
bona nochy -goodnight (from Italian – buona notte)
cartes -penis (from Italian – cazzo)
chicken -young man
clevie -vagina
corybungus -backside, posterior
dhobi  -wash (from Hindi, dohb)
Dilly boy -a male prostitute, from Piccadilly boy
fortuni -gorgeous, beautiful
fruit -gay man
fungus -old man/beard
gelt -money (Yiddish)
martinis -hands
meese -plain, ugly (from Yiddish mieskeit, in turn from Hebrew מָאוּס repulsive)
munge -darkness
nana -evil
national handbag -dole, welfare, government financial assistance
nishta -nothing
oglefakes -glasses
quongs -testicles
remould -sex change
rozzer -policeman
riah -hair (backslang)
riah zhoosher -hairdresser
schlumph -drink
shush -steal (from client)
shush bag -hold-all
TBH (to be had) -prospective sexual conquest
vogue -cigarette (from Lingua Franca fogus – “fire, smoke”)
vogueress -female smoker

Then it was noughties and nineties playlists into the baking night thanks to youtube. Awful, dire pop music, but very drunk. Fucking never, ever shall I see another shitty Britney or Steps or Backstreet Boys MV again, TLC can maybe come in just so long as they don’t take down their baggy jeans and crap everywhere. Fantastic viewing for fashion tips though, for the coming late nineties /early noughties retro that will sweep the streets, ad nauseum as for the last 25 years no one’s been able to come up with anything new rather than a nostalgic rehash from childhood.

I wanna make money now by setting up a website, where you can take screenshots of vintage/retro inspiration, like that backing singer’s clothes, that dancers hair, that dumpy (yet iconic) mum in the background of a Safeway ad. So, copyrighted that here, first. Lovely night all in all, very urban and summery though surely the alcohol helped with that. I woulda called turnip pulling lovely tbh.

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Dahmer

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Then back home by 2, another couple of hours zonked out on the sofa unable to sleep, chatting to J. Alcohol after its convivial, infectious peak tends to send me down a mine at some stage, scrubbing about some stilldrop place where I regret my previous glad-handering with the world. Such a bunch of nana clevie. Like the stutter of a disconnect, between the reverie of an alcoholic buzz, and the sudden realism of everything so much fucking everything that no longer moves and deserves to never again. This plateau can be a dark place, and a mean one too. I currently have a lot on a cracked plate.

I’ve decided, tomorrow will be the last day. x

Yesterday

Tomorrow

A Journal of the Plague Year Day 96

Tuesday 23rd June 2020

Was trapped watching Sense8 on Netflix by J; the show a product of the Wachowski Sisters, the gothy minds behind The Matrix trilogy. This time round it appears the siblings have been given carte blanche and the equivalent of a bottomless credit card in terms of creative license, that worked so well back in the day, to the tune of $1.6 billion in takings for their franchise. So the premise this time is a bunch of strangers across the globe who are able to telepathically connect -they feel, talk to and see each other in real time -while stalked by a hellbent organisation trying to kill em off.

The Wachowskis are a pretty left wing, inclusive bunch, having themselves transitioned in gender and being staunch advocates of LGBTQIA rights and free lovin’, which inhabits this storyline with gay and transgender characters throughout. They also bring together disparate personalities representing multiple forgotten countries outside the North American bubble -Kenya, India, South Korea, Iceland, Germany, Mexico. Well so far, so diverse.

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However, look closer and it starts to jar, notably the storylines. The Indian woman is of course caught in an arranged marriage, and battling local corruption, with a sideline in her family curry restaurant. The Kenyan man lives in a vast slum of local corruption, gang crime and HIV infection -killers at every corner. The South Korean woman is a martial arts master with a Masters in Economics, sacrificing all for family honour (wrongly imprisoned, battling -you guessed it -local corruption, plus honour-bound chauvinism and sociopathic parenting). The Mexican guy a telenovella star, is in the closet battling machismo stereotype, the church, wifebeating, blackmail and the vapidness of fame.

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It can be tough sell for those non-White or non-Western, try as you might. At first I made myself believe this was a wonderful cherry-picking take on every major social problem in each territory; that the Wachowski’s had done their research and were consciously raising awareness. But by the second episode it was pretty obvious they’d done quick Google searches or just put down a veneer of what’d rubbed off some passing media trope or their own race-based / cultural assumptions. To make it more obvious if a Black American character was up for the stand, and his raison d’etre was ghetto gangs, police brutality, drugs and trying to win back his disowned son, while aiming to be the new rap/ hoop star of the ages, it’d be cringe level 10, especially coming from the usual rich, White penmanship.

In contrast the White characters are multi-layered, do not perform to stereotype, and do not have long, lingering sidelines in their tale to prove they’re more than just a number. Laugh for hours as you discover the Korean woman likes beans on toast, or the Kenyan guy drives a homemade bus in ode of Jean-Claude Van Damme! By comparison the Icelandic woman is a DJ and living in London (not a Viking helmet or geyser in sight), the German guy’s a safecracker for organised crime (not what you’d equate with Germania), while the Americans are safely disparate as bloggers and policemen and hackers and ecologists.

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The script is derisory to say the least, although the valiant acting helps to blunt the edges, despite dooming their careers. The long, lingering shots of nookie at every turn is another seller, albeit it becomes quite an obsession. At several points throughout any given episode the characters will down tools (maybe take up new ones) to have a transcontinental fumble, often swapping bedpartners or becoming embroiled in one big orgiastic flexihump, that makes one wonder if it’s just wish fulfilment on the directors’ behalf (remember the weird, fluid-spraying rave in Matrix?). I see these characters -at every opportunity away from the henchmen -prowling the alleys, peeking through windows, looking for jizz.

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One character, the fellow actress/beard/fag hag/PR/PA/agent/secretary/housemaid/manager/fan vetter/letter opener/rooftiler of the Mexican couple is so laughably, vicariously infatuated with her housemates, and devoid of any life of her own she openly friggs herself off from the corner of the bed as they get manmansex-time. This seems to mirror the veritable well of navel gazing stupor the Wachowskis may be immersed in, in how blinkered they are to anyone’s experience other than their own. When Nomi (Know Me) makes the Maid of Honour speech at her sisters already compromised wedding, she hijacks the entire loveletter to make a diatribe on her transrights. One feels like yelling at her, Nomi it’s not all about you, all of the time.

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But then again, am I not wallowing in the selfsame mire? Were I long-suffering of trans abuse would this not be a revelation of a series, and a breath of fresh air for an ignorant world? While overlooking the corny national stereotypes, suddenly unimportant or forgivable. Would I be publicly standing up and voicing this diatribe to override their struggle?

ANYHOO, enough bitching. The world is stupid and so am I. Back to life.

Went out for a breath of fresh air and a touch back to reality, the real version not the utterly, ludicrously fantastical. Life sometimes is too much lived vicariously or not at all, even if it is to brandish fists at the skies.

The sun was high today, the weather cool and the fields a riot of wildflowers, even for urban, unkempt commons. And leaving it all behind.

To end the day:

btybtybtybty

Yesterday

Tomorrow