A Journal of the Plague Year Day 36

Wednesday 22nd April 2020

So there was a knocking on the door, and somehow or other I was through it in a blink and into a darkened hall. On the stairs a woman, draped in well, drapey things. All operatically b&w, lightning flashing, then I recognised her from the film I saw last night (the magnetic, bitchy love interest from the party, the one who got vommed on), and suddenly she was no longer The Grey Lady, more goth chick having a chat.

And of course I went through the usual BS imminent victims do in any Hollywood cliché, that of wandering blindly from room to room and trying to ignore the skittering sounds.

Kept seeing reflections that didn’t marry with reality. Till finally it was the long mirror by the bed, in which I caught a glimpse of a figure passing.

The more I looked, approaching, the more it materialised in the image -that of an armchair, and in it seated a figure. When I turned to the seat for real, it only had drapes over it, but in the reflection however, a man staring back, caped in the blankets.

I think a dream is like the nth dimension, where we know without really seeing. As if inhabiting with black fingers the space, projecting in real time, being each whoever speaks. A black hole between planes.

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That is of course the essence of a night terror, culminating in the knowing of abject fear -actually being that fear as if falling from height yet never reaching bottom.

I managed to shout ‘holp’, aka HELP -one’s attempt to get woken but numbed by drugged limbs and an implausible paralysis, lying there and just taking it. When I did finally come to, my eyes already open, were staring at the long mirror opposite.

Just as bad: the door open a crack, holding a seething black and emanating another’s presence, even with the light on.

OMG needed to pee so bad, but the corridor lined with antique mirrors thanks to J’s silver dealership. There’s so much mythology associated with one’s reflection, from urban myths /movies such as Candyman (say his name seven times while looking and he’ll appear), to the old tale that if you look into the mirror at night you’ll see the Devil, notably yourself looking back.

Now, I’m not the superstitious type, and neither am I a small child needing a teddy. But dearie me, that place in the brain after dreams does send out raw feelers. To the darkest of memories and weirdest of fears -it makes you believe in all manner of shit. Forget the sleep paralysis/ disorder, the apnea, the hypnea, that perhaps your subconscious is in terror to wake you from the fact you’ve stopped breathing, and is manifesting as a nightmare. That the paralysis is normal, to stop you acting out as you dream. It’s just that everything dark now holds a shape within.

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In the end matter overcame mind and just did it, prancing down the hall like a jittery Pan. So that was me done till daylight, and the setting up of my day.

-To become painfully lazified for the rest and pooling into shadow. I promised to just go with the flow. And not to beat myself up about it either. So no writing (just see yesterday’s entry), no cooking, no shopping, or walks, or bike rides, or emails, or worrying about no cooking, no shopping, or walks, or bike rides, or emails. Just lying in bed scrolling, watching TV. I barely made it out the bedroom, the day settling like a miasma, fitting for the time period.

And felt just as shit at the end of the day. I hope that that’s it now, got it out the system.

As night falls I count my worries, as if checking for wounds -26 of them, assigned to tabs that must be closed down slowly in order to sleep. Many of them chasing refunds from the 3 holidays canceled, the furloughing that work will likely instate tomorrow, the family, the flat. These threads of bureaucracy becoming binding, that slowly make you sink. Oh the fucking horror.

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Small weights add up, the curtains never open, nor close. And something is always behind, beyond, and festering. I sometimes think there’s a certain pitch between reality and imagination, sleep and awake, looking and not looking that makes everything possible, and what you put into it changes that path on the multiverse.

I feel if I stare into that reflection, at that certain time and pitch, and recognise that kernel as truth… the nightmare will become real. The insanity will become sanity -they say if you don’t wake up in time you go mad.

-What is it that we fear then? That it’s real, or it isn’t? The darkest part of the mind may not be so black and hidden, but grey, inconsistent as any ghost.

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There is a horror in realising you’re mad, or unreal. In realising that reality has betrayed you to become surreal. And always had been thus -the new here and now.

The world projects all too often that we are to be warm and safe, with entire societies set up to never reveal what lies beneath. But when that vast masking cracks, or fall entirely we find ourselves lost as to be falling.

J found this the other day in the lawns:

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Perhaps we need not fear the unknown -unless we know what’s really out there lurking in our collective subconscious – and that what we find within, in privated moments and dream selves, can manifest darkly in everyone else.

This is why so many share The Shadow, the selfsame one sitting on our chest, or standing by the bed and glowering a presence. This same dream since time immemorial that is merely us, the demon looking back.

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In the same ways numbers become meaningless, and stories ever more distant (so long as we’re not experiencing it ourselves), lies the same fear of abandonment by an impervious people who do nothing but watch.

Thus the monstrosity may not be what we do but what we don’t. And through the glass darkly each night, the mollycoddling binds fall away to reveal a truer truth. When we allow ourselves to look at The Presence, that Face and drink it in.

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Yesterday

Tomorrow

A Journal of the Plague Year Day 34

Monday 20th April 2020

I sent the book off today to two agents, feeling myself dandy for doing so too. Then had another long trek, this time into Clapham via the Common. In terms of rating London’s green spaces there’s not a lot to say about it, it would maybe score 2 or 3 out of 10. It’s first and foremost a common, delineating itself from parkland by being relatively open ground and unplanted. No acres of flowerbeds, no landscaping a hill to the right or left, though there are two pretty ponds, and a windswept one. Everything is left as nature intended, kind of, with a few statues here and there and a playground/ outdoor gym/ skatepark. The scraggly collection of woods on one side is pretty scant in terms of biodiversity, being mostly grass and small, young bushes, studded with condoms. It is of course a favoured dogging site, almost legendary, though these days populated by the kind who cannot pull online or via an app (read: old, unsexy and unkempt, possibly murderous).

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The rest of the park is plain – large empty spaces of green or gravel, popular for sports aficionados and event staging. It is dare I say it, boring. The Attenborough equivalent of an Asda carpark. Inside the ponds we saw a dead and rotting fish ( a fat, white carp), studiously being ignored by a heron, and two potatoes, possibly jettisoned by fleeing BBQers. The fun police were out in force, cruising ominously along the running paths and stop-searching drivers for evidence of commuting or shopping.

I did spot an interesting tree, as pique among dross. Very Easter. J said it may have been diseased (apt). I’m pretty sure if I draw a 5 pointed star on its arse and lay out a few candles, we could start worshipping it.

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Then it was Clapham Old Town, a nondescript part of London tarted up into prettiness. Although every building is not that old it’s been done up as if they are, even the 20th Century additions, complete with flowerboxes and fabric awnings, scrubbed brick and pistachio paint. This is what all of London could look like with a spirited makeover, given this end was also traditionally poor throughout the centuries. Mostly residential but gracing a tiny corner of shops and businesses, almost all closed but for the delis, organic cafes, bakeries and ultra-expensive grocers each with a queue (how very Clapham). Sainsbury’s had a very long line outside, Tesco directly opposite nary a soul, not even a guard. UK has a curious hierarchy of supermarkets/ grocers not always evident abroad, from the department store emporia at one end who deliver in 1920s horse-driven cabs, to the panic buying, zombie-baiting megamalls at the other:

  1. Fortnum & Mason -not as bombastic a building as the one below, but smaller and thus more elite than the Gucci brigade

2. Harrods -formerly top spot but they lost their royal charter ever since Dodi, son of arms dealer Fayed, got into a car with Diana and it went tiddlywinks in tunnel in Paris with a drunken driver and chasing paps and they all died. It’s now owned by the Qatari royals.

3. Harvey Nicks (do they even do food?). Fell a few spots after being bought by a Hong Kong billionaire with ideas on turning it into a global brand. His opening of a second branch ended centuries of exclusivity and backfired, despite all northerners now considering Leeds the ‘Knightsbridge of the North’. Which is like calling Slough the Vatican because it has an RC charity shop.

4. Selfridges -the best imo, far more choice, and surprisingly, deceptively affordable. A big HBO series has elevated it some more, though dangerously, scandalously courting tourism

5. M&S -can be swapped with below. Only does it’s own exclusive lines, and award winning adverts of food in slow-mo.

6. Waitrose -far more choice than above, lovely staff but with brighter, less leafy lighting.

7. Sainsbury’s -can be slightly naff, all the usual brands but pricier for no reason whatsoever.

8. Tesco -naff, but all the usual brands.

9. Morrisons -normally bottom of the pile. Wide use of the cheapest sugar, the offcuts, the sweatshops, despite rebranding.

10. Asda -the new low, having seen the kind of supermarket sweep and panic at the disco behaviour relevant to these climes. Part of the Wal-Mart fam (edit** soon to be sold to Indian billionaires during this pandemic).

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Once home I was face-down and asleep, as is usual nowadays whenever popping out, as if the toll of sunshine and fresh air weighs upon the shoulders, along with possible contagion. Out of it for hours. Then cut my hair, and joined a group chat with some buddies via Zoom, the place to be this season. Despite all that had a low mood, surly even. A part of me is constantly worrying, one housemate becoming a hermit, the other needing contact, and myself trying to provide both or neither.

I miss going out to have a meal, going shopping, going on holiday. The NYC trip for May is now a no-go (had that coming) as BA has finally canceled the flights; the supremely dodgy travel company wanting to charge us £150 for an admin fee still and that’s eating me up. Canceled the Airbnb – with now over £400 in vouchers to use. Also found out the museum is looking at July or even as late as October for a reopening, so I’ll likely be furloughed.

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Across the US people have been demonstrating to reopen the country, and get rid of lockdown, plus the usual barmy anti-vaxxers. There’s been a counter-demo by two fearless healthcare workers, dressed in their scrubs, standing in the street to block the traffic from joining. In the face of hooting car horns and a woman leaning out and yelling at them to go to China if they wanted communism, and that it wasn’t fair they got to work and she didn’t.

Health care workers stand in the street as a counter-protest to those demanding the stay-at-home order be lifted in Denver
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Democracy is being given a bad name. This pandemic is showing the flaws in the system, when ignorance is given equal standing as information, when the leader himself goads it as a device to keep himself in power. We kinda forget Nazism was a democratic rise.

This is why we need constitutions, as we the people can’t be trusted, as history has shown. Of course we’re going to vote for ourselves, of course we’ll step over others to get to the top, of course we’re going to lie, cheat and steal to furnish our bigger piece of the pie. I do wonder why giving freedom so often means giving free rein to abject competition.

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I’ve looked at the news fora for the first time in a while today, and the comments are starting to die down, less demands for lynching, less arguing, insults and vitriol. It appears we’re getting used to the new normal. C-19 may be on the verge of getting boring.

Another 823 died last night in UK hospitals. Deaths in general have doubled -a 20 year high, added to by unconfirmed virus fatalities and a great deal of people avoiding hospital treatment for fear of cross-contamination, or thinking they’re overloaded (the reality is that beds are now at record vacancies due to this). They’re hoping the worst is over despite the high tallies. The city remains silent to the core.

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News of vaccine trials to start next week are encouraging, though we’re still a good year off from being able to medicate it should it succeed. The orders for more tests and PPE are being stymied by bureaucracy, the govt promising new supplies from Turkey for the following day, then realising they’d forgotten to formally request it even. At times like this paperwork fuckups can kill, on a huge scale.

The night’s film was Fantasy Island. I wouldn’t call it run-of-the-mill despite using the usual jump scares and idiot decision-making (let’s split up! Let’s stage an argument now!) from the dwindling arsenal of Hollywood storytelling. The film’s premise is each vacationer gets to live out a fantasy, but of course one that turns sour and increasingly deadly. There’s a refreshing lack of gore and overt sadism, and an interesting landscape of a storyline (SPOILER) in which one finds the disparate scenarios for each guest are related. Large plotholes withstanding it was an interesting enough watch, and a big part of my life for 2 hrs, becoming the highlight of my day.

I need to get out more. Maybe all this was just some numpter wanting a bit of me-time.

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Yesterday

Tomorrow

A Journal of the Plague Year Week 6

Sunday 19th April 2020

Frozen has got to be the world’s biggest hatchet job. On first viewing I mistook it for a straight-to-DVD offering, despite the refreshing take of having two female protagonists rather than the usual Disney woman-chasing-man, whose main preoccupation was to instill the universal truth of beautiful=good, ugly=bad. I swear, Disney has a lot to answer for in terms of setting up generation after generation to subconsciously believe that crap, and act out, like WWII.

OK, so one sister has zappy powers (bizarrely it has all to do with that everyday substance in our lives and loves, ice). And it all turns into a big misunderstanding whereby the villain is understandable, and good and evil aren’t so black and white. Plus there’s that nice sideline in the handsome prince (SPOILER ALERT) turning out to be a baddy, and the lovable idiot actually being the love interest. How refreshing, for the world’s most heteronormative, White-washing, nose-pinching, gender misaligning, hierarchy promoting, Nazi courting media power of our age. That’s why the critics loved it, and yes, that belter of a song too one may have heard on every radio in every child’s room in every karaoke at every point in time ever.

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I do think pre-teen kiddies are a little undiscerning, and easy, avid voters. Make the dictators protagonists pretty and singy and they’ll be invested, add some cutesy idiots and toys/ animals with human personality and they’ll be entranced, then committed, then enshrining it to memory – forever yours to their dying day. Even when there are about 17 writers jostling for position, and a storyline by a drunken, trashy committee waiting for pizza.

Frozen was meant to be very loosely based on The Snow Queen by Hans Christian Andersen, one of his most popular and timeless of classics. ‘Loosely based’ in the most generous understanding of the term, insofar as it has snow and a queen in it, like how Jaws must be a retelling of Finding Nemo.

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Well Frozen II doesn’t disappoint. They manage, within the first 20 mins, to fit in (BEWARE SPOILERS):

A new race of people next door, a tribe everyone forgot to mention in the first film

A war

A flashback to parent memories

An enchanted forest

A ‘transformation’ of the lead characters

Giant footprints, giants

A rockfall of gnomes/ baby trolls

A random forest tornado

A game of charades involving a talking snowman, a caribou and a misunderstanding

A mystical, onset-of-schizophrenia voice only Elsa can hear, day and night

The three most annoying notes every conjoined in time or space, akin to a delivery truck backing out or car alarm as sung by Enya -oooh-eee-ohhh (see above)

A vast, 700ft tall interstate dam that is source of geopolitical instability

Floating coloured ice crystals evenly peppering the air (Elsa’s latest psychosis-induced party trick)

The evacuation of the townsfolk in the middle of the night

The blowing out of all light/fire with a sudden pink fizzle

Rippling urban earthquakes

A big mist that blocks out the sky and pushes out newcomers -source of geopolitical instability

A pink forest fire, set by a cute arsonist salamander (like a baby Toothless from How To Train Your Dragon)

A talking fucking little snowman

Oh and three songs squeezed in already.

You can imagine the Disney team sitting in LA, a bit bored, scrolling through IG and porn, then Hank brings the coffee in. Yeah! Let’s introduce an avalanche! Yeah and under it they’ll find pink earth that makes them sleepwalk! Yeah and a cave which lures them into a place of… of… magic earthworm world! Yeah and one of them talks and we can call him Bingo! No Boner, with an Irish accent! Yeah then Elsa can sing her way out, yeah coz one of her notes makes her hand freeze thing go crazy… and man, d’you have Bono’s agent?

I think their CEO of storyline must be a 7 year old girl. Who is really the daughter of a real Disney CEO. She’s called Emmy and must be obeyed.

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Of course, she works a treat. Frozen became the 5th highest grossing film of all time when released in 2013, and the biggest grossing animated feature ever- only to be usurped by Frozen II (and er, the live action Lion King).

Though tbf to Emmy, Andersen’s offering was along the same lines. It did also throw up a set of questionable fictional devices. I’m not kidding, you’ll need to take a seat..

Semi-siblings in love, a magic laughing mirror, the devil, trolls, a murderous snow queen, a pandemic of evil mirror crystals, a magical rose garden, talking flowers, a talking crow, a fake prince lookalike, an evil sorceress, a bush that can see the dead, a robber band, a robber girl, a robber girl’s pet doves, a frozen lake called the Mirror of Reason, a winning pair of skates, red shoes, a reindeer called Bae (Disney surely missed a trick on that one), a Finn woman, a Lapp woman, and a spelling bee.

Maybe the Frozen series is just a majestic retelling in the spirit of northern European folk fables. As in you start off with some adorable 1 percenters then add whatever happens to be dawdling along in your mind at the time, preferably after a heavy bong/ green fairy sesh (might as well throw in breakfast/ Fido’s dinner). All as filler before an Abrahamic happy ending.

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Though I still have yet to see a Disney princess as anything other than a catalogue model, or fat -and no, Moana is not.

As with all sequels, not only do they have to contend with the previous cast of characters they now have to introduce new ones. Each time there’s another instalment they try and keep the favourites -or forever court fan disapproval, though in the end they’ll be dragging along a Big Brother House of cartoonish characters in a cartoon. Each vying piteously, shamelessly for screentime, with a dedicated writer (the one who thought them up in the first place) to battle for their segment.

Just look at Ice Age, once one of the most lucrative sagas and its gaggle of rabidly intrepid explorers, denigrating into a repetitive series of comedy shorts for each of its 25 characters (no, really – 25). Thus the franchise had to end, after winding down into vastly confusing storylines borrowing one personality after another on multiple leads, in a total fucking shitshow mess. A winning example of profit over art.

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In other news Disney has stopped paying about half its employees -100,000 of them, saving it $500 million a month despite announcing $1.4 billion profit for its shareholders from the last 3 months alone. The new streaming site Disney Plus is also seeing extraordinary growth with the international lockdowns, clocking up 50 million subscribers since launching 5 months ago. Rest assured, Chairman Bob Iger has selflessly given up his paycheck for the duration of the pandemic in the spirit of comradeship, though his $47.5 million from last year ($130,000 per day) might help him cope. Chief exec Bob Chapek has also vowed a full 50% paycut, that’ll limit him to only one new mansion a fortnight.

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So yep, I sat through that for the evening’s entertainment. Such a big part of my life.

This is the shit I have to put up with in lockdown. Rant OVER. Should just let it go.

Took a walk with J, all the way to the river and back via Battersea Park, stopping off at an old church looking like the original template for the ones in New England. It had a graveyard which J was most interested in as it reeks of history. A lot of the gravestones had melted away after a century or two of acid rain; it’s a shame if they’ve ever been recorded, and are now just slabs of rock, to be used as paving, which is a thing in the UK in every old church.

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A transcript of the above will show that Mary Stringer, born 1751, outlived her husband Edward, who died at only 33. She became his widow for the next 50 years till she died at 82. She also outlived her three sons, John aged 3, Edward aged 5 and Thomas aged 22. Only her daughter Mary Ann survived her.

Another gravestone speaks of possible emigration, rift or perhaps fall in riches. A family tomb bearing only one name, whose ancestors ultimately chose a different plot, if at all they existed:

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These are what we’ll be remembered by one day, if anything. What legacy will remain, perhaps electronic, or lost to ether, given that Facebook or Instagram are unlikely to last the next century if not decade – my gravestone may well turn out to be that arm poking into a TikTok of a cat vomiting, for a full 4 milliseconds. Or a shoe.

Maybe we’ll be remembered only in abstract figures, via transactions made and algorithms changed. And some day one of those equations will become alive, a new god, and remember us. Thanks to my little hand tapping coyly on that keypad, my darling porn History adding to its journey to sentience.

Perhaps my heart will go on as one of the billion fuckers to ever watch a Frozen film and contribute to their $2.35 billion takings. I am that $7.96 back in 2014 and 2020, that bottle of water CEO Bob ordered in Cannes, that so sated his wonderful lips. We can but dream, as ever furnishing the lives of the rich and powerful and ice zapping, that is so much of what our lives amount to. To spread the magic.

My friend once did a gig as a photographer on a Disney ship, where they worked her every day of the year, made her pay for the camera and equipment, and wouldn’t let her off the damn boat or break contract. While playing to the oafish hordes -the type of people who go on Disney Cruises. She said it was shit.

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And I’m not even going to mention Walt’s admiration for fascism (note how everyone in say Monsters Inc are just SO happy to work in a vast, inhuman factory that rules their every waking thought and identity). Celebration, the Floridian Disney town whose residents are banished if they get a criminal record, and whose strict rules made them refer to it as Mauschwitz, issued an edict that they’d be turfed out if the term was heard.

Of course they then dubbed it Duckau.

Yesterday

Tomorrow

A Journal of the Plague Year Day 32

Saturday 18th April

Nadir Shah, ruler of the Persian Empire attacked the Mughal Empire in 1739. At that stage India under the Mughals had been the world’s largest power (vying with the Ming Dynasty in China). They commanded a subcontinental golden age -a quarter of world GDP and industrial output, one of the three Islamic Gunpowder powers and ruling from the world’s largest castles, stationed over the Hindu and Sikh populace. Then Nadir came along, beat back a 300,000 strong army and sacked the capital, Delhi, massacring her inhabitants and taking 10,000 slaves. They also carted off the fabled Peacock Throne, Koh-i-Noor (Sea of Light) and Darya-i-Noor (Mountain of Light) diamonds, plus enough gold and riches for the entire Persian Empire not to be taxed for the next three years.

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That helped considerably in the downfall of the Mughals, already embattled by the native Marathan uprisings (which in turn would go on to fragment into civil war, and allow the British and Dutch to keep bribing their way across the minor fiefdoms in a 270 year process). Thus the world’s largest manufacturer, steel, metal, minerals, food and textiles producer, shipbuilder and tertiary employer, with one quarter the global population and per capita wealth higher than in Europe, had by the 20th Century been transformed into a vast resources mine for the UK, and the world’s most profitable colony ever. A sum of $45 trillion in today’s dough has recently been estimated as to how much India bankrolled Britain.

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Next time you look at our glorious Victorian architecture of the era, you can thank India for funding it -or Mr Nadir for putting it in process, the world’s greatest empire so fallen as to furnish the feet of the next one. So what a tangent.

Today is a nadir, from where the phrase was coined.

I have been thoroughly invaded by foreign foe, culture made stagnant. My industrial output redacted, trade winds poisoned and society curtailed, riven by domestic dispute and a new policy of isolationism. Kingdoms have fallen in this small flat.

As has played out across the land, and world. I think it’s all getting to us just about now, the 3-4 week mark tempting the winds of rebellion. My highlight of the week has been to get a takeaway. Salt baked squid with chilli from our local Chinese, though I suspect they kinda forgot the salt and we had to add it ourselves, and the squiddy itself wasn’t squidgy, more rubber as a sign of overcooking. But it was like a Michelin restaurant with ambient light and a piano tinkling, just to the screams of a tacky Netflix horror (The Girl From the Third Floor, 23 out of 40 on the horror cliché list) while the world burned.

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Before this I’d been lost, sick of the computer, any gaming, any writing, any TV, and unarsed to read. I lay on the bed till I fell asleep, which has been the MO for the other two, who have taken to siestas midway. I even tried to cut n style my hair for something new, but chickened out into a halfway monstrosity, which is about as dispiriting as it can get. My futility exemplified by a hair crisis, like when you lose it in dreams and are utterly crumpled.

We’re all getting the cabin fever, and today marks a change. Tomorrow I’m going to read. Maybe write a bit. Fuck installing a rota, that doesn’t work. I’ve no energy to keep it up. I’ll need to go out and get some sunlight at some stage, though it may kill me, such is life at the mo.

Have been following the darling #VeryBritishProblems Twitter page,which is a sign things have reached a lowpoint.  So not Twitter interested; my profile embarrassingly made up of nothing but complaints on public transport over the years -the only time I feel Twitter useful -as vent when no other avenues are available. So much so I had to change my handle to Transporta, like some kind of network nerd to justify the whining.

#VBP though is funny AF, though not quite reality. It goes far to portray our species as affable, endearingly ingratiating and anxiety-riddled. And yes, there are many of us far-too agreeable Brits about, but when interacting it’s not always the same apologetic partner to play off. And that congeniality only survives if it’s reciprocated.

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Instead you’ll sometimes meet that steely gazed Ukipper/ Tory you pfaff and ingratiate yourselves around, making yourself suddenly ridiculous and public interaction a gauntlet, #VeryEthnicProblems. As a fellow Southerner there is a code which we all partake, and it only works if everyone is in on it. At once adorable and infuriating, often requiring a translator.

If a Southerner says:

“Yeah we should definitely catch up some time!” = Let’s never see each other again. Ignore me the next time, fool.

“If you don’t mind” = You’d better do this

EXCUSE me/ SORRY, but” = How fucking dare you!

“Are you sure?” = I want you to do it but am embarrassed to say so

“Not bad” = quite good/ very good

“(pause)…lovely” = shit/ ugly

“fine” = shit / ugly

“interesting” = shit /ugly

“I’ll definitely” = I probably won’t

“so… planning any holidays?” = You bore me

“I don’t want to make a fuss” = I’m about to make a fuss.

“How’re you?” = I don’t care

“I’m fine” = I know you don’t care

“I’m fine. No really!” = fuck you

sigh/ slight flaring of nostrils/ upturned eyebrow/ look aside = fuck you

“I don’t want this to sound racist/ I’m not racist, but…” = I’m about to say something racist

“Many thanks in advance” = if you don’t comply there will be repercussions

Signing off an email with “Regards” = I hate you

Not putting an X (kiss) after every text = I hate you

“I’m a bit worried about Helen” = I’m about to character assassinate Helen. Let’s take her down, publicly.

“I’m just wondering” = I am about to make a statement/ confront you

“I’m a little concerned” = I’m very fucking concerned and disagree with you

“I’ll ring you right back” = I may ring you within the hour

“You’re gonna love him. He’s so funny” = he’s very ugly but you’re in his league

“sorry, it’s just not my vibe” = I do not like you, I do not want to be seen with you

“have a great time” = I really don’t care

“sorry to hear” = I really don’t care

__(nothing) = I hate you

__(nothing) = I’m secretly in love with you

__(nothing) = 42

To finish off, some castle porn. The world’s largest fortifications from Mughal India, though by dint of the British Raj’s decision to term them ‘forts’ (claiming their garrisons were stationed therein, and ignoring the royalty still inside), they aren’t recognised in the Guinness Book of Records. This despite several larger than the record holder, Hradcany in Prague (which isn’t even particularly defensive, a moniker in name only). Once again, the nuances of the Brit lingo perpetuates. But for what it’s worth, enjoy -the last vestiges of an empire:

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Yesterday

Tomorrow

A Journal of the Plague Year Day 31

Friday 17th April 2020

What is there to say when there’s nothing worth saying? When your daily report has nothing of value, and is lived through a screen. There is perhaps the food that A made, an aubergine sliced down the middle then given a pizza-with-toppings treatment, and ending up looking like a heart. Or the heavily reduced Easter chocolate, mine an overly sweet bunny now missing an ear.

Then there are the menial tasks, of which there was one of note (straightening a bog seat by tightening a screw, then lying in shock from the germs).

We can follow with the usual offerings from the media dept, dreamt up by another in a different time and space, as if a form of communication. Of note today were the several Saudi shorts now available from Netflix -each lively, fun and depressing.

Then nothing, a wasteland of more filtered light and noise, all sound and fury. What is one to do with voids -should they be left to grow, or fester till forced to put something in it? Are they to be feared? Or embraced?

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The obvious answer is we fill the damn thing. But with what? Time drifts, but is finite. I find too often I’ve run out. The background of the TV, always on, is currently an Attenborough on the driest of deserts -the Chilean Atacama where in some places rain has never been recorded. The only place more parched are the windswept Dry Valleys (clue’s in the name) of Antarctica, where not even snow has settled in thousands of years, thanks to a constant, cutting maelstrom funneled by topography. Where air-dried seals or penguins, hopelessly lost, remain centuries after their preservation. I am feeling a little bit like one of them, imminently to be fossilised into sofa or bed.

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Guilt stalks the landscape -no matter how highbrow that TV enlightens, it’s still a cold glow. The book that so teaches, or engenders a new life apart is still flattened, static whenever I look up into reality.

I need to write. I realise I have nowhere to do it. The living room a domain for our cold faced contact to the world, and J who studiously reads now or researches. He’s having problems too lately and it’s all starting to get to us. The bedroom is an equally soul-sucking trap of blankets and horizontality and never having to change clothes, lair for A who spends his days scrolling.

I look up occasionally at the pixelated herds of elephants in the Namibian desert, who spend their lives on a neverending trek between locating underground watering holes. Like being a survivor of an aircrash, and spending your days eking out an existence of survival, waiting for a rescue that’ll never come. This was incidentally a subject of one of those Saudi shorts, a black comedy showing us it may be as good as it gets.

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I need a hobby. Feeding the pigeons come to mind, one step away from becoming one of those bread grannies, parked on benches with several loaves and a darkening sky filled with humming. A caught some lady feeding the fish in the ponds yesterday, before he pointed out the Don’t Feed The Fucking Fish signs dotted about -overfeeding is a big cause of death as they don’t know when to stop. She went off sheepishly, another life destroyed.

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Another new offering from Netflix is on the ever so exciting people in engineering. As usual with US docs lately, it delves into the lives of everyone ever who walks across the screen. This time each engineer is portrayed as worldly and SJW (more Social Justice Warrior, less Carrie from Sex and the City), striving to keep buildings standing in earthquakes and teaching kids how to build bridges for a better tomorrow, cue constant little violins in the background. Once again a lot to be said about America and its need for heroes. However, looking at the tale of a graduate who chose to forego a lucrative placement for working in the Developing World (building a plank bridge in Haiti, framed by the sweeping story of a family whose mother died traversing it), I realise again my calling, despite the gushing, no pun intended. How I’d always wanted more than a pay packet.

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I need meaning, like this. It’s all catching up, this self-centred navel gazing that’s the only thing to focus on. The episode came on the back of an article I read earlier on, of a CNN reporter who caught the travel bug after visiting her sister in China, which mirrored my own plans once upon a time. To graduate, then spend the rest of my days traveling and volunteering; I once contemplated walking round the world, being mostly mute.

Ah such imagined bliss. This also ignites the other article following, on a hip new joint in Taipei called the Misanthrope Society, dedicated to the dark and stormy visuals of those who hate humans, and avoid their contact.

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That was then, in the past. How life planned out, walking straight into the wage trap instead: of working to not have to work. At first to save for that camera, then the rent, then to inveigle a way onto the housing ladder, thus becoming a landlord and funding my freedom. That was the plan, to travel and be unbound. But now 20 years later, and look, still nowhere near the first rung.

There’s also something to be said about how the media you see and hear, even in passing, affects you. But that’s for another day, another battle hey.

I may perhaps exercise, or not. Yeah, not. Fuck it.

888 people died of Covid-19 today in UK hospitals.

Yesterday

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A Journal of the Plague Year Day 30

Thursday 16th April 2020

Broke the record for staying in bed doing sweet FA, watching TV and the internet mindlessly. It’s sickly. Hopefully the lowpoint of my daily lockdown experience, and the only way being up from now on.

I realise increasingly I’m gonna have to ditch the internatz sessions if I’m gonna use this time to write a book, as well as the blog. Less bullshit, more conviction. Less keyboard warrior, more slow time scribe. I’ll need to remember people pay money to isolate themselves and write, they go on retreats, become fire-watchers or hermits and wall themselves in at great expense.

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I think the realisation has come from watching Kong Skull Island play luridly in the background while I put together a whole bunch of useless map comparisons (who knew Ecuador was bigger than the UK?) for a random architecture forum. Ah, yes, life, the one I forgot to get even in lockdown. And through it all, comparing Iceland to England, Bangladesh to Russia the surreal series of background explosions, choppers, and a big ape stomping on people.

This is my life at the mo:

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Seriously, what a shit film. Cartoonish, absurd, and quite jarringly gory. And don’t even get me started on John C. Reilly’s character, the only local with an actual role or speaking part -endemic to every exotic King Kong/ Tarzan/ Jungle Cruise/ Anaconda film where leaving the West to get sticky equates to Here Be Dragons. He achieves characterisation by dint of being the only American (his Japanese comrade conveniently dying beforehand, the tribe conveniently mute and er, unsmiling) -and thus obnoxiously endearing at every interaction with the camera, drop a kitten and he’d probably be there to catch it with his face. Gurning between your legs.

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I think though what irked me, and kept me up at night was the pulping of humans by giant feet, fist and teeth, which was a tad too inhumane despite the dodgy CGI. Much more palatable when you see them scream a bit and get chased before being bitten, rather than casually obliterated. Human flies.

Tom Giggleston does however redeem himself as having the world’s most velvety man-voice throughout. He should be doing Sheba catfood ads, or Milk Tray, that perfect tine of Englishness without being too posh, even when he is pretending to be a gun-for-hire. The kind that isn’t creepy, no, having just stepped out of Claridges, possibly a Bentley, with a squirming binbag on the backseat.

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The rest of the day’s viewing was Netflix’s The Windsors series, that also droned in the background, and looks like the setup for The Crown, who just cobbled their storylines off this research, including never-before-seen footage and letters from the Royal Collection archives. Quite a segway, King Kong > Queenie.

The weekly shop had to happen, the fridge looking like a wasteland of leftover veg, a cleaved carrot, a half swede, some mushrooms, none of which I have any interest in getting to know. In Lidl I treated myself to a German bartkartoffeln (read: fried potatoes with lardons) as my first semblance of civilisation. There was no queue for the supermarket, despite being quite crowded inside, and hardly anyone wore a mask, which we’d happened to have forgotten also. I know some of my East Asian friends only go out with shades, hat and mask to avoid recognition, like they’re Donatella stealing through Primark, or Gary Glitter in a playground. But you’d do that too if you were EA and opened up any random comments on say Asian pet food supplies to the local weather, and see the hate. Got stared at a few times on the street and in the shops, one with a real look of fuck you, so had to give it back. It’s hard to work out sometimes if they wanna fuck you or fuck you.

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For all the hate -and yes, let’s pretend China can be vilified for that local cover-up at the start, and not knowing what they were dealing with – it’s still a month’s lag that many Western nations had, but squandered. CNN published a story today on it, on why Europe/ NA delayed their response despite knowing it was human-to-human and highly contagious by then (not to mention having seen all the Asian nations enforce lockdowns), with the US and UK particularly late to the table:

https://edition.cnn.com/2020/04/16/asia/asia-europe-us-coronavirus-delay-intl-hnk/index.html

For perspective, Wuhan took 2 days to go lockdown from human-to-human confirmation (or 8 days from the first suspicions raised on Jan 14th), while NYC took 22 days from its first (and even with the benefit of watching a similar-sized city in China go through the rigmarole a month beforehand). Animal>human infections never result in lockdowns or even quarantines, as seen in the periodic outbreaks of Bird Flu round the world, or the 3-4 new zoonotic viruses we annually find. China’s mistake was believing it the same, with the local police covering up news for a week before the State warned those doing so ‘would be nailed to the pillar of shame for all of history’.

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The US squandered a month it could have prepared/ prevented, and was still repatriating 40,000 Americans from China after the travel ban.

Meanwhile, the UK waited a full 2 months after the first case to enforce social distancing, business closures and stay-at-home. It may be gauche but I’ll say it now: surely there’s blame in that too? If one’s to point the finger at China, all sweaty and fat-handed, weaving from side to side, for dropping the bowl, it kinda figures us doing the same makes us as culpable, especially granted the foresight.

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Anyhoo I digress, gotta stop bitching. On the forum that I’m addicted to occasionally browsing, there’s a 587-and-counting page update on C-19, frothing for blood at every turn -and that’s a skyscraper architecture forum. For the Good News To Restore Your Faith In Humanity post asking for admissions, there are just the two pages, and it’s been like that all year. Good news just doesn’t sell (you only need to ask those Jehovah’s Witnesses bored AF by their bookstalls). Albeit the one about the kindly centenarian who’s doing a garden marathon in his zimmer, while raising £14 million for the NHS has just been added. I raise a glass, with dry hands.

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A Journal of the Plague Year Day 29

Wednesday 15th April 2020

Today has been especially sluggish. Giant-leopard-spotted-sliming-through-treacle-sluggish. With a limp. Didn’t sleep last night due to a headache pill containing the barest whiff of caffeine, and thus was trancing glo-sticks to an allnighter in my head till 6am, faceplanting the pillow. It’s not so much counting sheep by then but chasing the fuckers down and shooting them.

Got up 3 hrs later to start my day. Another joyless meal: Thai chicken soup out of a can, poured over fried bacon, carrot, potato and rice. As amazing as it sounds. Yep, I’m hitting the stage of using up what’s about to start crawling about or becoming smoked.

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J thankfully gave me a chocolate mini-egg and some shortbread, two humane essentials at the mo, along with power, internet and water. Watched Maleficent II -crap film but a welcome change. I’ve heard there’s a high demand for media set in historical or ahistorical climes, pre-digital, pre-internet, pre-phones-4-U, pre-car, pre-TikTok. Sherlock Holmes, Game of Thrones, Dan Jones that kinda thing. I think we’re all desperate to just get TF away from reality for a spell -every morning the global hobby being lying in bed and reading endless newsfeeds, literally in-yer-face for hours.

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Hearing about the World Health Organisation and its demonisation via the Trump regime, the continuing breakdown of the global food distribution network, more racism (casual, overt, politicised) and more large business closures (Oasis, Cath Kidston, Warehouse). Today I progressed to attempting to chase a refund (Sainsbury’s Bank having trouble for some 1.5 month-long reason, despite promising multiple times), having to book new mandatory time off work, chasing up cancelled holiday plans and checking bank records all becoming a wonderland of bureaucratic shite, a dervish of dates, times, passwords, password generators, statements, emails and assorted fuckery. They say people work longer than they did before computing, even though so much time’s been saved the bureaucratic nature of all transactions nowadays means it just becomes a blizzard. The same applies to the workplace -nothing will ever save you time, you just do more work.

I need to decouple myself from Americana, in all its garish glory. I need some Wuthering Heights, with wolves. Possibly set somewhere more exotic than Huddersfield, like the brooding wastes of Kamchatka or Hokkaido or Earthsea. It breaks my heart that I’ve had to cancel three holidays -the most we’d ever booked. I would’ve been in the wilds of the Tyrolean forest right now, working my way to Lake Garda. Possibly spotting a bear from a creaking train carriage, the kind with a restaurant car, aspidistra and doilies, and a mysterious murderer on board as light entertainment.

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Yesterday’s film was Cold Skin, a 2017 French-Spanish funded horror from a book of the same name, La Pell Freda. Shit. Dodgy prosthetics, unscary creatures that have the big-reveal within the first 20 mins, and a pre-cursor to the Pattinson-Dafoe offering, The Lighthouse, also about two deteriorating men trapped on a lighthouse island. This version though had none of the menace or ethereal qualities that would define such a setting, replaced with tiresome screenplay, ham acting and weak characterisation (one of them unbothered that the other just tried to kill him, or has him effectively trapped each night). It scored 20 out of 40 in my horror cliche list I made last night. If ever you’re terrified by blue-tinged gimps, manatees, or just rubber this is for you.

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I tried to feed the pigeons again. This time going one level up in the stairwell so I could lob the dinner disaster from yesterday onto where they roost. They all ran away like stupid fuckchickens, and the food lies scattered in the sun. Some have come back and are just sitting there in the pigeon-sitting-there way they do. I swear, these animals have no idea what food is. Or maybe it’s cannibalistic, feeding pigeons an omelette, though I’ve seen them snacking on KFC many a time.

The night’s offering was The Handmaiden, satiating my recent aversion to Hollywood. Pre-digitalis (tick), historicist (1920s, tick), foreign (Korean, tick), non-formulaic (LGBTQ crime drama, tick), no fucking explosions (tick). Fantastic storytelling, perverted, perverse and exotic -but I’d uploaded the directors cut. Which thus meant sitting through a near 3hr epic. J very nearly fell asleep until I conspicuously, loudly fiddled with the cushions.

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J’s been a bit down these last few days, the lack of work and meaning starting to hem in the walls, but has started reading which apparently is making a world of difference. At Home by Bill Bryson which I’ve leant him, one of the driest subjects (domesticity) made into a rip-roaring journey through history with laughs a minute and studded with delicious, sordid details. Once again historic narrative saves the day.

Dinner was a slim-fast milkshake thingy (Complan, which I used to love as a snack while a kid), bought during the panic buying as something we could savour as a last resort, starving already and watching burning skylines.  There’s been nothing much more to my life today. No sleep. Internet. Sleep. Internet. Eat. Film. Sleep.

I officially ran out of alcohol today, the last dregs of the raspberry gin.

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A Journal of the Plague Year Day 28

Tuesday 14th April 2020

The horror movie checklist:

  1. Large house with multiple rooms. Old.
  2. Dark house, where multiple 20W lamps are needed in every heavily curtained space. Even in daytime, thanks to broody, rainy locations like Southern California. Firelight.
  3. A basement/ attic stuffed with middle class clutter and weird AF shit.
  4. A basement door to the garden that is jammed. Extra point if a spade is resting outside, with a wooden handle.
  5. An unlocked front door. All exteriors are pretty much unlocked, the opposite once inside.
  6. Creepy doll
  7. Jewellery box with a twirling ballerina.
  8. Painting close up. The eyes.
  9. Door knob slowly turning.
  10. Looking through a slat. Surprise!
  11. Key doesn’t work. It will later.
  12. Old newspaper/ photo album with grainy black and white of an unhappy loner.
  13. A diary/ investigation wall. Tortured drawings.
  14. Upper middle class family. One of the parents is creative.
  15. Pale, sickly looking child. Very serious. Nerdy, independent.
  16. Pale, sickly looking service staff. Extra point if they look and act Victorian, despite hitting their twenties in the 1990s.
  17. Creepy old person/ disabled person. Extra point if they have a foreign accent.
  18. Skin disease.
  19. Teen sex scene.
  20. School angst. Bullying.
  21. Southern accent
  22. British accent.
  23. Someone innocently bursting into a room, or grabbing someone by the shoulders from behind, to greet them as you do. Or just walking past with the sudden sound of screeching strings.
  24. Walking into a room. Stopping. Freezing.
  25. Calling on someone and finding them violently compromised by a household object.
  26. Explosive flurry of urban wildlife: birds/ bats/ rats/ a cat.
  27. A barking dog, that becomes a whine.
  28. And then I woke up!
  29. Secret room.
  30. Sharpened bench/ farm tools.
  31. Shower scene, eyes closed. Extra point if she doesn’t check the heat/ wait for it to warm.
  32. A fall from height.
  33. Woman/ child calling stupidly, announcing herself at all times no matter the glimpsed shapes and skittering sounds. Half a point if it’s a teenage guy.
  34. Quit it guys! This ain’t funny guys!
  35. She who runs falls.
  36. I have a great idea: let’s split up.
  37. No one believes me! /I’m going mad! Can I trust mine own eyes?
  38. Noises on the level above. Tracking them.
  39. Hiding in closet/ under the bed scene.
  40. Blissful diorama at the end. But it’s not the end…

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Score for this evening: Child’s Play (2019) – 11/40 Surprisingly refreshing, though everything as trashy as promised and quite a dalliance into torture porn, ewww.

Another blanket-drowned day. Up at 5am, back to bed again by 8. Then awake by 11. No breakfast. Attempted lunch at 4pm.

Grated up a swede, threw in a potato too why not. Garlic and onions. Bacon. This’ll be like one of those German potato cakes, or latke, yeah!

Dash of soya, green tabasco. Some of that Bosnian spice mix why not. Fry, till crispy on the edges.

Doesn’t work. Crispy, yet soggy. Smoking AF. Tried it anyway.

Waaay too salty, it’s that Bosnian stock mix thing. Better make rice to water it down. It’ll be like what rice was designed for, a few choice slivers of flavour intensity like jewels in creamy fluffiness. Yes.

Gawd, it’s still awful. This calls for an egg, no three. A full on omelette. Like a tortilla. Yes. Separate the rice, return it to the pan.

OMFG inedible. Salty, sludgey, eggy. Like super eggy. Burnt.

Every surface smells of egg, room is noxious too with weird smoke pong. Open window, re-wash all the china, glasses and cutlery.

Let’s try rice porridge. The kind that actually demands a salty accompaniment, commonly duck egg or thousand year egg. That’ll surely utilise the flavour. Yes.

OMFG it’s literally poison. Burning a hole into the bowl. Complete fucking giant egg write-off. Half my larder gone on it too. This is like McCandless’s existential nadir when he kills that moose in Into The Wild.

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Pounding, vomitous migraine from disrupted sleep plus no food.

Looked up some foreign cinema, after my diatribe about Americana yesterday. After an hour of research, downloaded a Chinese film noir, The Wild Goose Lake, apparently second place to the Palmes D’Or. Took an age to get started (clicking away pop ups like Whack-A-Mole, restarting on new tabs, loading up a stream at dial-up speed). Then no subtitles. None found either online.

Have a sudden urge to play whack-a-mole with real moles.

Tomorrow I’ll try and give the chum to the pigeons, they’re probably starving. Though I tried the last few days to feed them.

They have got to be the most stupid animals I’ve met. They watch me throw them crumbs, then whole slices like a performance artist. One of them works out it’s bread, but the minute it falls off the roof, it’s as if disappeared. They do not make the connection, as slice after slice ends up on the floor below. Even when a day later I collect them and deposit them, shrine-like, in the middle of the carpark, they remain like modern art. Speaking volumes about our disposable consumerism at an epoch-changing time of want and the Heiglian ideal. Yes.

They’re probably new pigeons. The rest have starved to death, and these were the chicks that survived. They have no idea what bread is, but if they’re willing to peck at vomit, they’ll maybe be able to peck at my lunch dinner attempt.

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In the news.

  • Trump has had a meltdown, publicly ranting at reporters for an hour and a half, and including a pre-prepared video on the injustice he’s endured, notably under questions on his running of the C-19 show.
  • Many Africans in China are now facing homelessness following an outbreak of C-19 reinfection in the African districts of Guangzhou, and a nurse who was attacked after a man escaped an isolation ward. A slew of evictions followed, and a sign even put up asking Black customers to please not enter a McDonalds (later the company apologised). Although social media campaigns have now sorted food, clothing and re-housing, and the govt is making a statement they have a zero tolerance to racism, the local police were said to be hassling the unfortunates, and even blocking aid-givers.
  • It’s seen as an excuse for the council to finally push the community out, once hundreds of thousands strong, inline with a crackdown from 2018 eliminating visa-overstayers and illegals, which China has been increasingly inundated with this last decade. The history of racism and pandemics goes hand-in-hand, and galling given that Chinese round the world have been victims, but now fellow perpetrators. The world is studded with fucking idiots.
  • World food production is looking increasingly threatened by the collapse of logistical transport networks, processing factories and retail. Most immediately vulnerable are Pacific nations, with desert nations and smaller European/ island countries to follow.
  • Russia is giving hints it’s gotten serious over there, Putin looking serious alongside. China has recently been having many cases of reinfection coming from across its northern border, notably the border city of Suifenhe reentering lockdown.
  • Japan is also looking worse, with hundreds more cases. Like Russia it’s been following a light lockdown if none at all, relying on masks and social distancing. China’s other re-lockdowned city is a port that services Japan, Jiaozhou.
  • Another 778 died in UK hospitals today, bringing the total over 12,000, despite still an undercount. The BBC is no longer reporting the deaths, or at least making it obvious.
  • Globally deaths are at 120,000 and 2 million infected.

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A Journal of the Plague Year Day 27

Monday 13th April 2020

I’m sick of Americana. It’s been 3 weeks and all I’ve seen is drove after drone of US telly culture via Netflix and The Internatz. It’s all starting to get too much, the cop shows, gun heists, coffee breaks, nasal drawls, whooping, blondes, chinos, cardigans, plaid. Immaculate lawns, garrulous housing, sass, likable gangsters, car culture, rest stops, trip hop, laptops, likes, stories, handles, vines. Making such a BIG deal about social mixing or not correlating with the racist, classist and sexist realities, obscuring the banality of the everyday, the gutted city centres, the crime, the boredom. How every scene conjured is pure, complicit fuckery. Lies, lies I tell you!

It’s just so fucking gushing about it all.

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Not all cafes and bars are buzzing. Not all classrooms are vapid. Not all of California is sunny. Not all of Xmas is snowing and candle-lit. Not all of Mexico is dusty and orange filtered. Not all of NYC is just SO magical! Where are the drone shots of Queens? The shopping in Wal-Mart? The social and racial segregation indexes now on par with Apartheid-era South Africa? Where are the people who don’t live in 4-5 bed houses (no matter how rich or poor they are)? Where are the sweeping stories of people working in your average smalltown office or restaurant or shop or supermarket or factory? Where, oh where are the legions of working and (lower) middle classes? The fat? Where are the people who don’t wear make-up to bed? They have their stories to tell also -and even if the same ones, whether funny, exciting, romantic or resonant, why is it the upper-middle class resoundingly get the roles?

Talk shows are an embodiment -and the fact news agencies are morphing into them a sign. Every chat show host, presenter, news anchor and primetime guest too cartoonish, every audience too canned, too willing to whoop joyously on each statement that’s ended with a raise in octave, pause, then a look out to the crowd. Ratings, ratings ratings, catering to what we want interminably, back in 2009.

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OK I get there are the many offerings that do represent, a big menu of them. American Beauty, The Wire, Sundance that kinda thing. But they are so very drowned out by everything else.

Endless Tiktok (Chinese I know), Drag Race, IG, Bojack, Cardi B, Lana Del Ray, Mark Wahlberg, Trump, Punk’d, React Channel, Prime, Disney, Pixar, Marvel. I mean I need something more exotic now, something historical. Also, another gripe: US documentaries. On one hand the tabloid idiocy of decorating information by screaming it out and dumbing it down: overdramatic audio, menacing voiceover, too-frequent summarisation (for the ad breaks every 15 mins I’ve heard), Flash graphics (trying to look sciencey), and hammy, sepia-toned dramatisations. Swear to Beelzebub, your left hand could feature in 72 Creatures To Watch The Fuck Out For, as they rotate the same shots of it turning claw shaped and raking at some gravel, or grabbing a cat to the sound of pick squeals.

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On the other hand it’s the yonder extreme: slow, dragged out, formulaic and dry. The foodie documentaries a good example, varying with arthouse and voiceovers, endless conversation and life stories when we just wanna look at the grub, the culture, the recipes, the history. It’s food for fuck’s sake, not Nelson Mandela. We are not interested in the timeless glorification of a food hero that takes up an hour-long biopic, or extended reels of a rich man going shopping. I swear, sometimes I think Americana is so very glorifying and hero-worshipping as it helps with the hierarchy. Just too much formula.

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What is missing is gravitas. Humility. Truth. Reticence. Detail. Please don’t clap. Please don’t call me Sir. Netflix, Apple TV, Quibi, Youtube, do for the love of cake just tone it down a notch or three.

My other option is Arte, our European attempt at global domination via France and Germany (and like Dunkerke, stopping right there). Ah, the fresh air. But then you only have about 20 programmes to choose from, thus forcing you into whatever arthouse/ history/ social science/ particle physics funnel they recently dreamt up from their tiny planning studio. And rapt as you may be with Malian wedding rituals, a biopic on Joan Miro, or Mannerist architecture in 16th Century Portugal it quickly becomes as entertaining as the wallpaper. I watched two entire episodes on a bunch of German God Squadders walking the medieval pilgrimage route over the Pyrenees, towards the Santiago de Compostela shrine. Mesmerised as they crossed whole bridges (someone losing a shoe in the river -heartstopping), calling in on statues, looking at buildings and getting some of the country air. They had a whole fucking season dedicated to them – those same people, that one journey. This is why Europe, denizen of holiday snaps and colonialism is no longer setting the world on fire, even with Eurovision.

Took a good, hard look at my life after that.

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And don’t get me started on the Beeb. Dumbed down as to be squatting over the ranks of what the Mirror or Daily Mail would offer (though we’re not at C5, Sun scoop spectacular quite just yet) if they were given a £20 budget to source writers on the nation’s pulse, via their readership. It is so riven with ham and hack it could be Christmas. Dr Who (sorry), Celebrity Scissorhands, War of the Worlds. And their exposées are just so damn one-sided, so very choreographed by a presenter investigative reporter who’s already charted out the story beforehand, including conclusion. Watch as Tracy investigates slaughterhouses on rumours animals get hurt in there, or Benjamin go to North Korea to check out their journalism schools. Maybe a harsh dressing down on race relations when hanging out at a KKK rally, involving multiple hidden cams and jittery chases.

TV has become a raison d’etre in these times. It is like power, food and air, a social birthright. And goddamit if what we’re getting is Coffee and fucking Kareem it’s time to man the barricades.

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Morning a write off thanks to far too heavy a weeding session in the gardens, had to run to find a bucket, rummaging under the sink and finally settling for (thankyou J, precious metals trader), an antique silver planter in the Japonisme style to vom in. Highlight of my day. Oh and Antiques Roadshow.

Then a bikeride in the sun, on the same trail to Chelsea Bridge and back. Got fatshamed by A laughing at my baby tire when I took my top off (26C), cuddling round my rippling 12 pack. I’ve been nurturing it with soft drinks, biscuits and the odd cake since lockdown, it’s my friend. A buddy messaged to ask if I wanted to take a walk in Crystal Palace Park, forgetting that I’d moved from the area a while back. We decided against after realising it would involve a train trip, which is pretty much illegal and likely swarming with plain clothes police. It would’ve been one awkward meet up anyhoo, 2 metres apart at all times and talking like we’re on stage. Pretty much it, my life in a paragraph.

Quibi is the hip new thing A is currently smitten by, though he (nor anyone) can ever remember its name. The platform specialises in 10 minute bites of programming, from comedies to episodes (that suspiciously add up to the same dozens of hours) to documentary snippets to full on gameshows – all specially condensed for our half second attention spans. They’ve also been edited to be watchable portrait or landscape on your phones.

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It’s perfect for cutting out the pfaff, but it doesn’t bode well that they’re catering to our wants (where recently tv all round the world has been trying out 15-20 minute offerings if you’ve noticed). How will we learn in the future if this becomes a norm? How will we get an appreciation of the smaller, slower things? In a similar vein another platform, Blinkist edits down entire books into 15 minute reads. I’m worried. But also enthralled.

All they need to do now is do something worth watching.

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